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A hardcover 5 × 7" journal featuring White Floral Garden by Ojibway artist Jim Oskineegish.
Inside are 80 lined pages, with an elastic closure and ribbon bookmark to keep your place. The back cover features Jim Oskineegish's photograph and artist biography.
Artist receives royalties from sales of this product.
Jim Oskineegish is an Ojibway artist and member of Eabametoong First Nation in northwestern Ontario. His connection to art began early, during a childhood marked by separation from his family. A Sixties Scoop survivor, Oskineegish was removed from his home at the age of five and grew up in foster care. Drawing became a way to express himself long before art became his profession.
Oskineegish initially worked in Surrealism, but as an adult began reconnecting more deeply with his Anishinaabe identity and turned toward the Woodland tradition. Around 2005, he sent three of his early Woodland paintings to Norval Morrisseau, the Anishinaabe artist who founded the Woodland School. Morrisseau encouraged him to continue.
Woodland art uses bold outlines, vivid areas of colour and forms within forms to make relationships, stories and spiritual ideas visible. Oskineegish has developed that visual language in his own way, drawing on the legends and stories of his people while also bringing elements of Surrealism and contemporary culture into his work.
For Oskineegish, art is ultimately about connection. He wants his work to share Anishinaabe culture while reaching people through ideas of love, faith and unity. As he puts it, “I want to promote positive Ahnisnabae culture to the world.”
In White Floral Garden, birds, butterflies, berries, flowers and leaves grow into one interconnected composition. Rather than treating each element as a separate image, Jim Oskineegish uses the flowing lines and forms of Woodland art to visually connect one part of the natural world to another.
The garden is dense with life, but carefully structured. Branching stems lead through the image while birds and butterflies become part of the same network of forms, creating a sense that everything within the garden belongs to the whole.
That emphasis on connection fits Oskineegish's broader approach to art. His work draws on Anishinaabe stories and culture while returning repeatedly to ideas of love, unity and connection between people and the world around them.
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